Review – The Archived/The Unbound by Victoria Schwab

A review of The Archived and the Unbound by Victoria Schwab (4/5)

So. I read the Archived on May 14, 2017, and the Unbound on May 14-15, 2017.

According to GoodReads there is a third book, the Returned, but I know that sometimes what’s planned doesn’t happen and Google hasn’t revealed to me the status of this third book (as in, going to happen, or been cancelled.)

Regardless, read these books. Particularly if you are already a fan of Victoria/V.E. Schwab because her imagination and ability to create internally consistent worlds is awesome, and just to see how her writing style and approach have changed and not that much time has passed.

From Amazon with some small edits from me:

Imagine a place where the dead rest on shelves like books. Each body has a story to tell, a life seen in pictures that only Librarians can read. The dead are called Histories, and the vast realm in which they rest is the Archive. Mackenzie Bishop is a Keeper tasked with stopping violent Histories from escaping the Archive.  Mackenzie and her family have just moved into the city into an old hotel-turned-apartments the Coronado to run away from their past and the death of Mackenzie’s younger brother. Mackenzie has a new territory to learn, and soon, a mystery to unravel that puts both the world of the Archive and the world of the Outer, our world, at risk.


I’ll admit that in the last year I’ve developed a tendency to be triggered by deaths or incidents that involve car accidents after my friend died in one. It took me a few deep breaths when I first encountered that detail, but I made it through. The loss of Ben, the youngest Bishop, is central to the plot of the Archived, and I appreciate so much the way Schwab writes about the different kinds of grief we experience, and the different ways they can affect us. By the start of the story Mackenzie’s grandfather (Da), who she inherited her Keeper duties from, is also gone. Both those losses were traumatic for Mackenzie and for her family, and watching her process those things and figure out when to let go and when to hold on was really cathartic. The way each member of the Bishop family grieves is also varied, and also, irritating. It’s not hard to side with Mackenzie against her mom, even when you don’t like what Mackenzie is doing either.

The aura of spookiness in both books was a definite favorite feature. Between our world, the Outer, and the Archive, is a realm called the Narrows. Remember that creepy hallway in Beetlejuice with all the doors to the different places and houses? I imagine that it’s kind of like that only maybe less weird shapes to things and less weird glowing green light. Just a dark, dusty hallway full of doors. Where small, violent, reawakened dead children are slowly losing their minds and you have to find them before they do. If that doesn’t give you the creeps, I don’t know what will.

If Schwab needs to brainstorm an idea for another project, I would love for her to write a straight up horror novel. She throws in bits of horror/thriller/morbid/macabre in everything I’ve read by her so far, but I would read the fuck out of a haunted house story written by her. My struggle with a lot of contemporary horror is that it’s gotten gory, and plays a lot more on violence. I want a psychological thriller that’s also firmly a horror story…that’s a lot to ask, but I also think Schwab would totally blow my mind.

I have a weakness for characters named Owen. Ever since Maureen Johnson’s Devilish. It can’t be helped. This Owen is…delicious, on many levels. I can say without spoilers that he is very dynamic, and that dreams are very, very different from reality.

The jury is out on my feelings about Wesley, and will likely stay that way unless there’s a third book. I will say though that summer Wesley, of the spikes, guyliner, and black nails, sounds like my cup of tea. Actually because two things meshed in my brain at once he kind of looks like Dan Howell in my head (danisnotonfire on YouTube. My new crush.) Also soccer player. I mean, Wesley ticks a lot of boxes for me, but I don’t like how secretive he is while also being mad at Mackenzie for being secretive. Like, bro, that’s hella controlling. But given everything Mackenzie has been through, he’s also awesome for her healing process and I know what that’s like. Some people fix what’s broken, even if it’s not forever. Their effect is.

Another recurring Schwab theme that is also present here is younger people “sticking it to the Man” so to speak. There’s a rebellion. A revolution, maybe? And that’s something that comes up in all of her novels – the way things are isn’t good enough, and the individual character is always asking what they can do to change it. Sometimes for selfish reasons, sometimes for altruistic ones, and sometimes killing two birds with one stone. All I will say to that plot in these books is GIVE ‘EM HELL KENZIE.

I rated both of these books a 4/5 on GoodReads – I was totally hooked, loved the main character, loved the concept and the specificity of the rules, and um, good kissing scenes? Haha. Even the most awkward kiss I’ve ever read in a book but also the most realistic to actual teenagers ever.

Review – This Savage Song by Victoria Schwab

This Savage Song by Victoria Schwab came out in July 2016. I bought it because her anxiety on Twitter about people buying its sequel overwhelmed me so I bought it and it’s imminently releasing sequel. I read it May 8-13, 2017. It’s good preparation for when Our Dark Duet comes out June 13, 2017.

I think if I keep reading Victoria Schwab, all my top favorite female characters will have been created by her. Because Kate is awesome, and I’ve already pretty much given my entire heart to Lila Bard.

From Amazon:

Kate Harker and August Flynn are the heirs to a divided city—a city where the violence has begun to breed actual monsters. All Kate wants is to be as ruthless as her father, who lets the monsters roam free and makes the humans pay for his protection. All August wants is to be human, as good-hearted as his own father, to play a bigger role in protecting the innocent—but he’s one of the monsters. One who can steal a soul with a simple strain of music. When the chance arises to keep an eye on Kate, who’s just been kicked out of her sixth boarding school and returned home, August jumps at it. But Kate discovers August’s secret, and after a failed assassination attempt the pair must flee for their lives. In This Savage Song, Victoria Schwab creates a gritty, seething metropolis, one worthy of being compared to Gotham and to the four versions of London in her critically acclaimed fantasy for adults, A Darker Shade of Magic. Her heroes will face monsters intent on destroying them from every side—including the monsters within.


One of the things that sets Schwab apart from anyone else I read is the depth of emotions her characters experience, and how dynamic they are. Her characters always have the power to surprise me but not in ways that seem out of step with the plot, or with everything you already know about them. They are as real as people, and that’s such a unique talent. Kate and August, as well as some of the more periphery characters like Ilsa, Leo, Callum, and Henry all have more to them, and more to understand. Even some of the smallest characters, like Emily Flynn, have these tiny touches of detail that tell you more than just their name and their relationship to the main characters.

Kate Harker is awesome. I love that she begins the story thinking there’s only one way to be tough, or one way to take control, and learns that there’s more than that. Kate isn’t as cold as she likes to pretend, and ultimately that will prove to be a positive thing for her. Still, I might be more afraid to meet Kate in a dark alley than any Corsai or Malchai.

I will admit it took me a bit to get into this book – it’s a very different world, and there is a lot of history and rules that are alluded to that you have to try and parse out. I was only reading 1-2 chapters a night which is unusual for me, but once the friendship between Kate and August is established I was hooked in. It’s definitely the kind of story that needs to do some exposition before it gets to the main action of the story, and even if it’s interesting it doesn’t always make the story move quickly. Still, it was break-neck pace once things really got going and I was so concerned for those two and the people in their lives. I read the majority of the book today, in my hammock. It was wonderful.

I’m totally obsessed with the mythology of Verity. I think I’m just obsessed with Schwab’s brain and the mythology she creates in general. Back to the point – the Corsai, Malchai, and Sunai are a symptom, not the problem. We learn a little bit about where they came from and how they were created, but there are more questions than answers. There are more things to be discovered about what role they really have to play, and what direction the world is heading in. War has happened, war is inevitable, and there’s no guarantees that everyone will survive. There’s no guarantee that humanity is even supposed to. Because ultimately this is a story about what makes us human, and what happens when we forget what those things are. What happens when we fail to see the humanity in others. Let’s think about humanity like this: if you don’t use it, you lose it.

You know why YA dystopian is a thing? Because teenagers see the world in black and white, they see NOW, and when you’re fighting the system that’s what you need to be able to do. This is another series that makes clear how little the adults see the landscape of their world. How much easier they find it to sacrifice people, and kids don’t see things that way. I cannot wait to see what Kate and August make of the mess the adults have made, and how they might find a way to save the people that can be saved.

Overall I give this a 4/5 because it took me a bit to get into it, but once it hooked me I was all in. If you like supernatural mythology, ridiculously well-written characters, then you should absolutely read this. I am really ready for Our Dark Duet!

Review: Alex, Approximately by Jenn Bennett

You’ve Got Mail modernized, with badass teenagers. Alex, Approximately by Jenn Bennett (5/5)

The stars really aligned for me to read this book on Saturday (April 15), as there was a Doctor Who reference about midway through, and it was also an excellent distraction as I waited for the 10th series premiere. I have not been excited about a companion in quite some time as I am about Bill – she’s going to be amazeballs.

Anyway. Alex, Approximately by Jenn Bennett was released April 4, 2017 – I purchased it on April 3,2017 because someone (and I can’t figure out who) retweeted it or responded to Jenn’s tweet, and I was like – You’ve Got Mail retelling? I AM IN FOR THIS. I love that movie so much, and I still cry all the tears.

From Amazon:

Classic movie buff Bailey “Mink” Rydell has spent months crushing on a witty film geek she only knows online by “Alex.” Two coasts separate the teens until Bailey moves in with her dad, who lives in the same California surfing town as her online crush.

Faced with doubts (what if he’s a creep in real life—or worse?), Bailey doesn’t tell Alex she’s moved to his hometown. Or that she’s landed a job at the local tourist-trap museum. Or that she’s being heckled daily by the irritatingly hot museum security guard, Porter Roth—a.k.a. her new arch-nemesis. But life is whole lot messier than the movies, especially when Bailey discovers that tricky fine line between hate, love, and whatever-it-is she’s starting to feel for Porter.

And as the summer months go by, Bailey must choose whether to cling to a dreamy online fantasy in Alex or take a risk on an imperfect reality with Porter. The choice is both simpler and more complicated than she realizes, because Porter Roth is hiding a secret of his own: Porter is Alex…Approximately.


As always, summaries do so little justice to the books they represent, because good books cannot be summed up in a few paragraphs. This book, while hilarious and delightful, is not light or even fluffy. This isn’t about romance as much as it’s about figuring out how to still connect with people despite pain, trauma, and responsibilities. It’s about how complicated our family ties really are, and that your family makes you into an adult – for better or worse. This book was great.

One of the things I struggle with in contemporary YA is that the teens often jump to conclusions about the adults, or misinterpret events in such a way that even the reader is like – what is wrong with you? I love that this book doesn’t do that, even a little bit. There’s no ambiguity to the adults – if they aren’t direct, someone around the characters comes out and clears things up in some way. It doesn’t mean all the adults are good and good parents and like the teenagers, just that you don’t jump to conclusions.

Recently, I read an article about the Hate U Give and about how Angie Thomas brought family back to YA – I think this is another example of that. Family and familial relationships are integral to this story, and to Bailey’s journey. It also clearly demonstrates that some people just fail at being a parent, and sometimes it’s because they have to take care of themselves as an individual human when they have the space to do so.

This next thing I’m going to try and talk about without spoilers. Bad stuff has happened to both Bailey and Porter. What happened to Bailey is probably my greatest fear, as someone who often holds people accountable for their actions and is part of separating them from their education, that’s the shit I have nightmares about. And I’ll be honest, when the storyline was first hinted at I thought it was going to be too over the top, or too much for a teen contemporary romance. But it wasn’t. It was impactful and delivered well and at the exact right moments in the story. It’s also sadly realistic for our world and it’s much easier to deny that than accept that it’s not such a crazy thing to include in a novel. It’s not even an extreme example. So yeah, some dark stuff happens but we get to see a teenage girl successfully working through her response to trauma. We also get to see her help someone else deal with their own, and it’s such a REAL moment. Like a punch in the feels kind of moment, but you’re okay with the bruise.

Believe me, this book is not light, and I’m going to keep saying that and I mean it as a compliment. The highest of compliments. It has very cute moments and Porter sounds very sexy, but some romance feels that it’s a slight shift away from reality because love is the center of the world. That’s not the case in Alex, Approximately – there’s so much more going on for both of these characters. You see them struggle, adapt, change, and realize things about themselves. Bailey is a great character to follow because you can both empathize with her, and want her to stretch and be more, or be who she wishes she was.

The best way I can sum up this novel is REAL. The characters and their experiences are such an accurate and sharp slice of real life. There’s teenagers doing sexy things and talking about it and being smart and figuring out what they want, and how to explore becoming a sexual being. Without being pornographic or exploitative. There’s teenagers falling in love and making mistakes and being scared and truly, deeply loving the nerd thing they are into. It’s teenagers thinking about the future without the cliche version of the “pressure from parents” plot. It’s people losing things and changing dreams and trying to protect the people they love. It’s people recognizing that we all have darkness inside, but we have light, too.

I give Alex, Approximately a 5/5 because I was hooked the entire time and read the book in one sitting. After the Doctor Who premiere I was going to go to bed, but I didn’t. I stayed up and finished this book. I was expecting a fun, romantic teen version of a fairly light film, and got something that was fun and romantic, but deep in scope. Definitely read this.

Review/Opinion: The Hate U Give by Angie Thomas

Read this book. The Hate U Give by Angie Thomas (5/5)

This will eventually be a review of The Hate U Give by Angie Thomas, the current and deserved ruler of the NYT Bestseller’s List. There are books that come along and are earth-shaterringly relevant and timely, and this is it. This book is now, this book is important, and it needs to be read with an open mind and an open heart. It is a perspective and worldview that might be unfamiliar, but it is one that more people need to read, hear, and believe.

From Amazon:

Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.

Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil’s name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.

But what Starr does—or does not—say could upend her community. It could also endanger her life.

But first, let’s talk about me.

If you want to give my job a fancy title, I’m a civil rights investigator. Narrowing it down, I work in the field of Title IX, which is a federal statute to respond to and prevent discrimination based on sex/gender/sexual orientation/gender identity/gender non-conformity in the higher education setting. Even more particularly, I respond to complaints of sexual harassment, sexual violence, intimate partner violence, and stalking made by a student. I spend a lot of my time talking about consent, rape culture, and healthy relationships.

It means that justice, access, and equity are huge values in my life. I also believe in an intersectional approach to my work, which means that even if my job description says my role is about gender, I look at someone’s life and how all their identities factor into their response, as well as how all of their identities inform what and why something happened to them. I can never let myself be pigeonholed into the thought “this is only about their gender” because rarely is that true. It also means that I am really intentional in being aware and informed about multiple identities and experiences so that I can find the best way to help a person tell their story, and communicate impact. There is so much about the work that I do that was impacted by THUG.

It reminded me of everything that I am fighting for and against, of who it is I am meant to take care of, and who I am meant to raise up so that they can be heard because I am not the speaker, I am the platform. The fact that this story is being lifted up makes it worth it to get up in the morning because I can hope against hope, for the first time in months, that I am not just banging my head against a wall. Change is coming, and change is here.

Okay, back to the book. Things I want to make clear from the start: I believe police violence is a problem. I know and work with some truly amazing police officers, but their role does not mean they get an exception for killing someone. It doesn’t mean they don’t make mistakes. It doesn’t mean there is not a cultural indoctrination within the law enforcement community to demonize colored bodies (and even officers of color buy into this indoctrination). We are not perfect, they are not perfect. There is room for progress, and a greater need to protect people of color from unfair enforcement and violence. BLACK LIVES MATTER – all lives matter, but we are failing people of color by refusing to acknowledge that they are disproportionately victims of violence. This is fact, not open for discussion, sorry not sorry.


So on that point, please recognize that Starr’s experiences are not a stretch of the imagination. The fiction contained in these pages is truer than you might know. If you are questioning the #ownvoices movement, this should prove their point to you.

I love Starr. I love that she is so self-aware, but that doesn’t make her perfect or easy, it makes her human.  It makes her a trustworthy narrator, and that was essential to this story. Because you trust Starr so much that others doubting her feels more than personal, it feels political. That is one of the true triumphs of this novel is making the personal political, and making you confront how that might be operating in your life. There’s a lot of messages, a lot of purpose and moral, written into the language and fabric of the narrative but it’s delicate. It makes you step away from the stories you’ve seen in the news, and instead stick with an individual person and their experience. By humanizing the one, it gives you the opportunity to humanize all.

The family dynamics are also easy to relate to – inter-generational conflict, the sins of the parents being visited on the children, how family expands and contracts, the ways in which we grow and change with our siblings, and how much they influence our decisions and reactions. This family, the Carters and their extended ties, are so tight and so beautiful. I loved reading about this family, because I could see my life and my family reflected there, and I could understand and follow the logic of their decisions, even when they were scary and might not work out. Lisa and Maverick are good parents and a good relationship, and I get why Starr called them her OTP.

The complexity of friendships for teenagers was also a wonderful aspect of AT’s writing. When you’re a teenager it can be incredibly difficult to confront problematic behavior or to risk losing friends because you disagree or don’t follow, or knowing that you drifted from or failed someone because it was easy to do it. That’s reality, and watching Starr maneuver those situations might help others – I think she’s braver than your average person (which is a comment I think Starr would find annoying) but it was also clear that her bravery influenced others. The bystander effect is real, y’all.

Some of my favorite things: Starr’s mom, Lisa; any and all of the Harry Potter references (the House gang theory is one I have believed in for years); all the times I had to Google shoes so that I had a visual; having an excuse to play the Fresh Prince of Bel-Air theme song repeatedly; DeVonte (he might be my favorite, after Starr); that family is more than blood and titles; the only act of violence in the novel I condoned and in fact, shouted out loud in excitement (it’s a punch in the face that is…magnificent and frankly, earned. My anti-violence inner-self is a work in progress, friends), THE LAST LINE ON PAGE 290.

I cannot wait to read whatever AT publishes next. Her writing pulls you in right from the first line – it was the kind of work that didn’t provide unnecessary details, but focused on what I needed to know to FEEL like I was there, both physically and emotionally. I felt like I inhabited Starr’s world and saw through her eyes – there are so many emotional blows and I f***ing felt them all, but I also felt her joy and laughter, her moments of recovery, and her moments of self-forgiveness. I know that a book is dynamic when my husband can’t keep up with my emotions – one second I’m crying (from both sadness and happiness in this one) and then I’m laughing, and there was also a lot of swearing.

I loved a lot of the characters in this book, but seriously Starr made my top 5 characters, all time. She’s still beat out by Tally, but Tally saved my life, so it’s kind of hard to let that crown shift. Maybe tied for first.

5/5 read, no question. GO GET THIS NOW. REQUEST IT AT YOUR LIBRARY. Bring it to your school, your community, your organizations. Let the conversation happen.

 

A Rant About Blackbirds by Chuck Wendig

This isn’t about Miriam, it’s about Harriet, but Blackbirds by Chuck Wendig is killer (ha!) (4/5)

Blackbirds by Chuck Wendig was published September 2015, and I read it February 16-18, 2017. It is the first book in the Miriam Black series – a brief summary:

Miriam Black knows how you’re going to die. This makes her daily life a living hell, especially when you can’t do anything about it, or stop trying to. She’s foreseen hundreds of car crashes, heart attacks, strokes, and suicides. She merely needs to touch you—skin to skin contact—and she knows how and when your final moments will occur. Miriam has given up trying to save people; that only makes their deaths happen. But then she hitches a ride with Louis Darling and shakes his hand, and she sees in thirty days that Louis will be murdered while he calls her name. Louis will die because he met her, and Miriam will be the next victim. No matter what she does she can’t save Louis. But if she wants to stay alive, she’ll have to try.

Yeah, yeah way to go Chuck, great book. It was a 4/5 read for me – some parts were slow going and I’m taking a point off because I really want to hate Ashley but I mostly don’t. I am, however, deeply amused that a book character shares my name and was excited that for once it was a dude. I am a lady, but I know the origins of my name and think men need to reclaim it.


This book is dark, humorous, gory, and pretty graphic. You know how Stephen King sometimes writes really horrifically specific descriptions of bad things happening to genitals? It’s like that, but whole bodies and brains and emotions. But you’re also laughing and the tension is built SO FANTASTICALLY, especially the Interludes of the Interview. It took all of my self-control not to skip ahead and read those parts to see the whole sub-plot. There was also kind of a Pulp Fiction vibe, and I dug it.

I’m also super grateful to Chuck for the Interludes idea, because it really helped with something I was stuck on in my own novel.

Anyway, this isn’t really a review of Blackbirds, I just want to have a kind of spoilery rant about the character of Harriet.

Honestly, just thinking “carpet noodle” fills me with fury! Righteous, glorious fury! Not at Wendig, at Harriet. Wendig is awesome for this.

It just blew my mind that part of how Harriet became Harriet involved murdering a man because down with the fucking patriarchy…only to be manipulated and trapped under the thumb of another man. Only to be willing to disobey his orders to keep him all to herself – Harriet was oppressed by a man, and then controlled by one, and it’s like she couldn’t even see it. She couldn’t see that she was LEASHED! Ugh, even though Harriet was totally amoral and is not a person I would ever like to meet, the stunted possibility of her character just crushed me. Part of me was like – “Yeah, that’s right, carpet noodle, because once again you’re losing everything for a man who doesn’t even appreciate you!”

Yeah. So. You should read this book and then rant with me in the comments.

 

Review: Freeks by Amanda Hocking

A traveling carnival, a small town in Louisiana, terror in the night, and an unexpected love – Freeks by Amanda Hocking (4.5/5)

After a long break, I have returned! With a review of a very enjoyable book. Freeks was released on January 3, 2017 and is a standalone novel by Amanda Hocking. I read it on January 12, 2017. I feel like I’m always reading series and this was such a self-contained story that felt like a balm for my brain.


From Amazon:
Mara has become used to the extraordinary. Roaming from place to place with Gideon Davorin’s Traveling Carnival, she longs for an ordinary life where no one has the ability to levitate or predict the future.

She gets her chance when the struggling sideshow sets up camp in the small town of Caudry, and she meets a gorgeous local guy named Gabe. But before long, Mara realizes there’s a dark presence lurking in the town that’s threatening the lives of her friends. She has seven days to take control of a power she didn’t know she had in order to save everyone she cares about―and change the future forever.

This is not a great summary, but it’s better than the one I tried writing. This is a fun story in a familiar kind of setting. I recently read the Summer Days and Summer Nights anthology, and the short story “Brand New Attraction” by Cassandra Clare laid out the concept well – “It was a dark carnival. You know the drill.” We do know the drill, and Hocking doesn’t waste time setting up the mysteriousness of the carnival, but rather outlining the supernatural abilities of the members, and establishing their close ties and relationships. I wouldn’t say that the carnival of Mara’s universe is dark, but it has its secrets.

I don’t know why Hocking chose to set this story in 1987, but there’s a little bit of a Star-in-the-Lost-Boys feeling to Mara (appearance and dress mostly,) and god help me I was picturing a buff Steve Harrington from Stranger Things as Gabe (it may have been the mentions of fabulous hair.) I have to say, I love how suddenly we as a pop culture are excited about the ’80s again. Gabe’s house was also a fun setting – antebellum mansion with 1987 decor and art is quite the contrast to picture.

One of the best things about this book was the path of Gabe and Mara’s relationship, particularly physically. It was realistic (not saying it was right or smart, but realistic.) One of the things that pisses me off the most in YA is the lack of kissing. Not because I’m like “Oh squee kisses!” but because teenagers kiss each other. A lot. Before they should. Because they are struggling under an insane hormone cocktail and a lack of impulse control, and physical affection is fun. There’s a tendency to delay first kisses for ages even when the characters have clearly expressed feelings and attraction, and I think that it’s false tension. Not so in Freeks – the first night Mara and Gabe meet they make out, I think it was in less than the first 30 pages, and my first thought was – hell yeah, this is such a relief! It’s also pretty clear that Mara doesn’t trust people or give in to her impulses very often, so I think it also established early on that something with Gabe is different.

While Freeks is not a groundbreaking novel, it definitely has its own spin and flavor on carnival lore, supernatural abilities, and demonology. The characters are believable and sympathetic, and their relationships and histories established without extensive back story, and no flashbacks. There’s enough lore in regard to Mara’s family and the town of Caudry that the breaking point that leads to the final battle is strong, and a little scary.  It was fun to read, and took my mind over and away while I was cozied up on the couch reading it. I stayed up way past my bedtime to finish it, and that doesn’t happen to me very often. I really love my sleep.

There’s one thing that I keep going over in my brain, and I can’t decide if it’s a like or dislike. In a lot of books I’ve read recently, I feel like a lot of time is spent on knowing every single little detail about every character – and when the characters are interesting, it’s fun to fall down that rabbit hole. In Freeks, characters are tantalizing because we are given just a brushstroke of who they are – they aren’t central to the emotional plot, just the big picture resolution, so there really isn’t a narrative justification for knowing them more in-depth. For example, Gabe’s sister Selena. She wasn’t what I expected her to be and I wanted to know more about her, but there was no narrative reason for more to be revealed. Same with Gabe’s parents – I knew what Mara needed to know. There was no giant exposition from Gabe about his family that didn’t have to do with resolving the thing terrorizing the carnival. My curiosity was not sated, but even though I’m still curious, I’m not disappointed. Hocking stayed so tightly true to Mara’s perspective, and it’s just frankly awesome writing, and awesome choices.

And I know I started this saying that I didn’t want a series, but I would read the hell out of a book about Elissar, Mara’s great-grandmother. She sounds like a badass.

Overall, Freeks gets 4.5/5 rating from me – that half off because some things felt a little too rushed, and even the awesome writing choices can’t override the almost step into Chosen One territory. Still, another solid piece of writing from Amanda Hocking and a fun foray into the genre of dark carnivals.

 

 

Review: the Women in the Walls

When I was reading this book I kept thinking, “I need an adult!”

The Women in the Walls by Amy Lukavics was released September 27, 2016 and I read it December 5-7, 2016. Weirdly enough, I think I can consider this a holiday-appropriate reading choice as the conclusion of the story revolves around a Christmas party. Someone is even wearing a tinsel and ornament dress.


From Amazon:
Lucy Acosta’s mother died when she was three. Growing up in a Victorian mansion in the middle of the woods with her cold, distant father, she explored the dark hallways of the estate with her cousin, Margaret. They’re inseparable—a family.  

When her aunt Penelope, the only mother she’s ever known, tragically disappears while walking in the woods surrounding their estate, Lucy finds herself devastated and alone. Margaret has been spending a lot of time in the attic. She claims she can hear her dead mother’s voice whispering from the walls. Emotionally shut out by her father, Lucy watches helplessly as her cousin’s sanity slowly unravels. But when she begins hearing voices herself, Lucy finds herself confronting an ancient and deadly legacy that has marked the women in her family for generations.

For those who might need it – trigger warnings for significant self-harm, suicide, mental illness, and general gore and violence.

Things that gave me feelings:

  • Lucy’s father is a bastard.
  • This is another one of those novels that affirms how much people suck, how self-centered we can be, and how we never really know anyone in our lives. There are just too many secrets, too many scattered and errant thoughts that start to change us or eat us alive to ever really say we know someone.
  • This book can get really scary because you doubt what you know, and everyone becomes suspect. It’s made clear very early that the Acosta family is exceptionally secretive and isolated, and that no one comes into their home or interacts with anyone else without motive.

While I agree with Lucy’s eventual realization that she gets caught up in herself and can be a little judgmental, I also think she might be too hard on herself. This poor girl is so clearly abused into submission, and it’s done in partnership by her two parental figures. No one really cares about her – she is just a tool. The interactions between Margaret and Lucy are especially heartbreaking because they are cousins, friends, but the thumb under which they function has twisted even that one good thing in their lives. Margaret is hella sassy though and I enjoyed her. I wish she had been used more to call out the bullshit – Margaret was the Id to Lucy’s Ego, and it would have been fun to see more of that go wild.

Justine Larbalestier recently posted a tweet:

“How to write a novel: create shitty situation for your protag. Make it worse. Worser. Now REALLY make it worse. Resolve that shit. #theEnd”

That is pretty much how things for for Lucy, except true to horror form the resolution may actually be worse than anything else that has happened to her. The end is a big, gaping tunnel of mouth screaming “No!” for eternity. There are so many layers to why the ending is so awful, in general and for Lucy in particular. It was just devastating. But it’s also the source of one of my dislikes with this novel – why? Why did Lucy give in to the ending? Why would she stay?

Everyone is the villain in this story. There’s this sense while reading that there is no safe place – no person, no room, not even in sleep. The tension just builds and builds until all the shit hits the fan and then it gets weirder and weirder. I was less scared of the Big Bad at the end than I expected, and part of it is because…well, some of the shit that happened was justified. The Big Bad might be the only one who was justified to do anything, which is interesting to consider – the primal, ancient dangers that still lurk around us and how their violence can be acceptable.

I still have a lot of questions about why things went the way they did, and I can’t quite say this was a five star read for me. Lucy was clearly intelligent and aware of how dire the situation was and yet…nothing. Maybe it’s commentary on the fact that humans often talk ourselves out of the facts that are smacking us in the face and it’s easy to play them down or talk ourselves out of it, or say if something else happens or waiting for arbitrary reasons, we are punished by life itself.

From a purely technical sense, I was confused by some of the structure and I don’t think it was intentional. Chapters would start with Lucy’s narration as if a lot of time had passed, or as if she’d been bothered by a certain event or feeling for a period of time, and then we would jump from narration to action and I would find zero time had passed between the end of one chapter and the start of the next, or only a handful of hours. The sense of time was not what it needed to be in some chapters, and it kind of broke the feeling of urgency that was built. Luckily, it was built up again in quick fashion, but it still jerked me out of the narrative because I was asking questions about structure rather than plot.

I definitely want to read Lukavics’s first novel, Daughters Unto Devils, and will absolutely pick up her work in the future. She is a fresh, frightening, wickedly macabre and morbid voice and it seems that the women she writes have something to say. Or something to destroy.  The Women in the Walls was 4/5.