Book Talk – the Making of Gabriel Davenport by Beverley Lee

The Making of Gabriel Davenport by Beverley Lee came out on April 1, 2016 and I read it August 15-16, 2017.

A synopsis, from Amazon:

In a house built on truth something lays hidden. Beth and Stu Davenport moved to the English hillside town of Meadowford Bridge to give their young son, Gabriel, an idyllic, rural childhood. But in a single evening, the Davenports’ dream is shattered by a hidden, ancient darkness– and their lives are forever changed. Years later, Gabriel Davenport, now a capable, curious young man, makes the ill-fated decision to go looking for answers about his mysterious past. As soon as he begins his quest, his life becomes a place of shadows. The people he loves and trusts are acting abnormally. The strange woman who lives upstairs is even more haunted than usual. Even his most trusted friend seems to be hiding something. As one fateful night deepens, and the line blurs between darkness and light, Gabriel must confront the terrible events that destroyed his family all those years ago. He is faced with a choice: continue living the life that was never his to begin with, or give himself over to a terrifying new reality more sinister than anything he’s ever known. The darkness is watching.


This book is part ghost/haunted house, part demonic threat, and part vampire stories. It makes for a satisfying read because if you like the horror genre, a lot of boxes are ticked by this novel. I have still been itching for a good haunted house story and the almost haunted houseness of this book made that itch even worse.

But it brings me to one of my favorite things about this book: the setting. Setting is one of my own biggest weaknesses, so I pay close attention to the people who do it well. Lee does it very well. It starts with the Davenport house, but it’s also capturing the spirit of the village, of the shape of the roads, and the distance between neighbors. The real success is the Manor though; the house is a character in itself as much as it is a setting – the house itself is almost as possessed, as manipulated, and as broken as any of the people who inhabit it during the course of the story. Houses, dwellings, are always safer than we think they are, and the Manor learns that it is not invulnerable, and that secrets rarely stay buried. The Manor is also part of the character of Edward Carver, and the secrets the house reveals are either Carver’s own, or hurt him the most. This is definitely a story about secrets – the real and the supernatural kind – and the consequences for thinking keeping them is the best course of action.

The other thing I loved about this book was the eponymous Gabriel Davenport. He is a perfect depiction of that liminal space between child and young adult – he believes that he is ready to know the truth about what happened when he was a baby and that he can handle it, while simultaneously being terrified that he cannot. He’s also young enough and has lived such a life that he is aware of his emotions, aware of his fear, and sometimes he even finds the strength to overcome it and do the right thing. I enjoyed the chapters that were in his perspective the most because he was the least damaged in traditional ways (the damage we acquire upon growing up, and the loss of innocence) – Gabriel is ultimately still innocent, but has also been carrying an enormous burden and sense of blame his entire life which is a unique kind of damage. It made him easy to care for, and easy to empathize with.

The only character that ultimately frustrated me was Noah Isaacs, but I wonder what will be resolved with him in the next book, A Shining in the Shadows. One of the subtle questions that Making asks is what power faith has – and not just the religious kind, but the faith we place in other people. Noah’s religious faith is tested, even fails, and that effects the faith the other characters have in him. It’s about the faith the Gabriel has in Carver and Noah to “solve the problem” and save him, and when he begins to doubt that they can, he trusts someone that maybe he shouldn’t.

It’s a book with a very unique family unit, and it is both their strength and their vulnerability. It’s hard to see anything coming in this story, and I liked that a lot. I am definitely curious about what happens next.

If you like moody, scary, semi-violent horror novels then the Making of Gabriel Davenport is definitely for you.

 

Review – The Archived/The Unbound by Victoria Schwab

A review of The Archived and the Unbound by Victoria Schwab (4/5)

So. I read the Archived on May 14, 2017, and the Unbound on May 14-15, 2017.

According to GoodReads there is a third book, the Returned, but I know that sometimes what’s planned doesn’t happen and Google hasn’t revealed to me the status of this third book (as in, going to happen, or been cancelled.)

Regardless, read these books. Particularly if you are already a fan of Victoria/V.E. Schwab because her imagination and ability to create internally consistent worlds is awesome, and just to see how her writing style and approach have changed and not that much time has passed.

From Amazon with some small edits from me:

Imagine a place where the dead rest on shelves like books. Each body has a story to tell, a life seen in pictures that only Librarians can read. The dead are called Histories, and the vast realm in which they rest is the Archive. Mackenzie Bishop is a Keeper tasked with stopping violent Histories from escaping the Archive.  Mackenzie and her family have just moved into the city into an old hotel-turned-apartments the Coronado to run away from their past and the death of Mackenzie’s younger brother. Mackenzie has a new territory to learn, and soon, a mystery to unravel that puts both the world of the Archive and the world of the Outer, our world, at risk.


I’ll admit that in the last year I’ve developed a tendency to be triggered by deaths or incidents that involve car accidents after my friend died in one. It took me a few deep breaths when I first encountered that detail, but I made it through. The loss of Ben, the youngest Bishop, is central to the plot of the Archived, and I appreciate so much the way Schwab writes about the different kinds of grief we experience, and the different ways they can affect us. By the start of the story Mackenzie’s grandfather (Da), who she inherited her Keeper duties from, is also gone. Both those losses were traumatic for Mackenzie and for her family, and watching her process those things and figure out when to let go and when to hold on was really cathartic. The way each member of the Bishop family grieves is also varied, and also, irritating. It’s not hard to side with Mackenzie against her mom, even when you don’t like what Mackenzie is doing either.

The aura of spookiness in both books was a definite favorite feature. Between our world, the Outer, and the Archive, is a realm called the Narrows. Remember that creepy hallway in Beetlejuice with all the doors to the different places and houses? I imagine that it’s kind of like that only maybe less weird shapes to things and less weird glowing green light. Just a dark, dusty hallway full of doors. Where small, violent, reawakened dead children are slowly losing their minds and you have to find them before they do. If that doesn’t give you the creeps, I don’t know what will.

If Schwab needs to brainstorm an idea for another project, I would love for her to write a straight up horror novel. She throws in bits of horror/thriller/morbid/macabre in everything I’ve read by her so far, but I would read the fuck out of a haunted house story written by her. My struggle with a lot of contemporary horror is that it’s gotten gory, and plays a lot more on violence. I want a psychological thriller that’s also firmly a horror story…that’s a lot to ask, but I also think Schwab would totally blow my mind.

I have a weakness for characters named Owen. Ever since Maureen Johnson’s Devilish. It can’t be helped. This Owen is…delicious, on many levels. I can say without spoilers that he is very dynamic, and that dreams are very, very different from reality.

The jury is out on my feelings about Wesley, and will likely stay that way unless there’s a third book. I will say though that summer Wesley, of the spikes, guyliner, and black nails, sounds like my cup of tea. Actually because two things meshed in my brain at once he kind of looks like Dan Howell in my head (danisnotonfire on YouTube. My new crush.) Also soccer player. I mean, Wesley ticks a lot of boxes for me, but I don’t like how secretive he is while also being mad at Mackenzie for being secretive. Like, bro, that’s hella controlling. But given everything Mackenzie has been through, he’s also awesome for her healing process and I know what that’s like. Some people fix what’s broken, even if it’s not forever. Their effect is.

Another recurring Schwab theme that is also present here is younger people “sticking it to the Man” so to speak. There’s a rebellion. A revolution, maybe? And that’s something that comes up in all of her novels – the way things are isn’t good enough, and the individual character is always asking what they can do to change it. Sometimes for selfish reasons, sometimes for altruistic ones, and sometimes killing two birds with one stone. All I will say to that plot in these books is GIVE ‘EM HELL KENZIE.

I rated both of these books a 4/5 on GoodReads – I was totally hooked, loved the main character, loved the concept and the specificity of the rules, and um, good kissing scenes? Haha. Even the most awkward kiss I’ve ever read in a book but also the most realistic to actual teenagers ever.

Disappearance at Devil’s Rock

A review of Disappearance at Devil’s Rock by Paul Tremblay (5/5)

Disappearance at Devil’s Rock by Paul Tremblay was released June 21, 2016. I read it November 20-21, 2016.

One night in the heat of August, Tommy Sanderson disappears. He was with his friends in the Borderlands State Park at a place they called Devil’s Rock when he ran into the woods and didn’t come back out.

Of course, it’s more complicated than that.

Tremblay books are really hard to summarize.


This is the story of his mother, Elizabeth, and his little sister, Kate, as they try and figure out why Tommy and his friends went into the woods in the first place, and why Tommy didn’t come out. It’s a story of growing up and growing away, and the moments that take away innocence and thrust children into adulthood. It’s the story of the particular kind of loneliness that comes from losing a parent, from death or from leaving, and the way you might choose to fill that space. The story of what can happen not when we dream too big, but when we think our dreams are too big for us. It’s a story that asks you to believe in the maybe – maybe there’s something more out there, maybe there is a darker shadow in the shadows, and maybe sometimes we can see what’s coming and we can’t stop it.

One of my favorite things about this novel was how much I loved Tommy. Maybe it’s because the story is mostly told from the perspective of people who loved him, but I finished the story with such a sense of attachment to him. It’s also good to see myself reflected in a character – I too spend a lot of time discussing zombie contingent plans when there is a lull in the conversation. I have made note of some of the thoughts shared in these pages to bring to my next discussion with my husband.

I cannot help but compare this to A Head Full of Ghosts. Tremblay’s voice in both works is so strong – his talent for tiny details that make the scene brutally clear, the code in which children speak to each other, and the constant existential crisis of the cusp of puberty and what it means to grow up. Those are all there in both. The difference I enjoyed is that while Merry as unreliable narrator makes Ghosts terrifying, Elizabeth is a very reliable narrator and that makes what happens, the supernatural and the natural, all the more devastating. Her certainty makes me believe. And that’s what makes it scary. That’s what made me get the chills in the end of the book, reading her understanding of events, when I both knew and had no explanation for what happened.

Some might feel that the pace of Disappearance is a bit slow, but I think this was done very intentionally. We experience the waiting and the discovery in almost real time with Elizabeth and Kate. We live through those excruciating days of invasion and the unknown right along with them. We do not get a montage of their pain. We do not get to skip to the revelations. We read their pain, and we earn the revelation. I felt like I was learning teeny bits of information at a time and then when I stopped to look I found myself halfway through the book.

Another excellent book from an excellent writer – 5/5 from me, easily. It is a tight, well-crafted, makes you doubt your own mind kind of story and I would definitely recommend it.

I also want to share a last, slightly controversial, thought. I love the way Tremblay writes women. The controversial part is not that Tremblay writes women well, it is the obvious opposite that some male-identifying authors do not. In both books I have read by him, the women feel very real, like myself or women I know, and a lot of the thoughts and actions that occur could just as easily be a male character too because what they are doing and reacting to is not inherently gendered (for the most part; Marjorie is a bit but it makes sense within the story.) Tremblay writes women as complete people and I think sometimes that doesn’t occur, and is the struggle some women feel in the world of adult fiction. Women are not plot devices, metaphors, or achievements. Tremblay’s work crafts complex and detailed people – his work excellently captures essential humanness, and I think there’s something to be said for that. Both novels easily pass the Bechdel test, and in fact both novels highlight the bonds between women in a way that shapes the narrative. I think that’s awesome.

Girl of Nightmares

What price would you pay to save the one you love? Girl of Nightmares by Kendare Blake.

Girl of Nightmares by Kendare Blake was released in 2012 – I read it October 21-22, 2016.

My initial thoughts:

  • Anyone who thinks this should be more than a duology is crazy. The only justification I can see is that the third book’s cover would have Anna facing full forward. I have imagined the third image in my mind and it looks badass, but alas, this has ended exactly as it should.
  • If the first book made me scream, this one made me cry.
  • I’m kind of okay with this version of the afterlife.

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Girl of Nightmares picks up almost 6 months after Anna Dressed in Blood. Cas can’t let Anna go. He starts seeing her and the visions are awful and violent enough that he begins to believe she’s calling to him from the other side. Anna is not safe, and this time it’s Cas’s turn to do the rescuing. Girl of Nightmares takes the gang to London and then the Scottish Highlands where the true history of Cas, his powers, and the athame are revealed.

This book is a bit more gore over creep factor than Anna, but it was always justified and further created the power and the tension in the story. The tension creates intentional frustration – the reader feels what Cas is feeling about the lack of straight answers and information, or even truly understanding what the athame and the other side are. Cas is his usual reckless self, and everybody else seems a little bit more at peace with that, if a little less tolerant of it. I liked him even more in this book because I felt like his journey was more internal – there were things he had to figure out about himself, revisiting his knowledge of his identity and his place in the world, and I liked knowing that I could trust who he is at his core.

Like all good horror, we explore regular life via the supernatural – love, loss, and change. It had to end the way that it did – it was the realistic and the powerful way to end it. If it had ended differently, it would have really ruined both books for me and I would have felt that it was very unhealthy. The reality of life is that things don’t always work out and we lose people – sometimes to change and sometimes to death. The power is in letting go. There are so many specific tiny moments that would be total spoilers during the final battle that I find so powerful.

Most important line, from new and dynamic character Jestine:

“Your morality isn’t the only morality in the world. Just because it’s yours doesn’t mean it’s right.”

Also, I think Cas totally should have yelled at Carmel. And I was frustrated by that storyline in general – maybe because it was what an unsure teenage girl would do and I expected more of Carmel, or maybe because it felt pushed in to create extra conflict. However, I did enjoy that we see Cas-as-third-wheel to Thomas and Carmel. I don’t think we get the perspective of the third wheel who is also the narrator very often in a way that isn’t whining or pining after one half of the couple, and his frustration over Carmel but holding back is something I think everyone has experienced at some point. It points out in a subtle way why it’s hard when your friends date. When they hurt it hurts you too.

Blake is an excellent writer and a craftsman of story – there’s just no overloaded exposition – you discover things instead of being told them, you inhabit Cas very completely and feel what he feels, and she trusts her reader to take leaps. On that level alone Blake has earned a fan for life – a pre-order, book signing, tell-everyone-to-read-this fan.

On a personal level, this book spoke to me the way Blake’s other books have because of my own loss. One of my best friends died unexpectedly in February – it’s part of the reason I started this blog – and I have been using books (and Criminal Minds for some reason) to help me move forward. Anna and Girl did that because while I am a religious person, the view of the afterlife presented felt very grounded and unattached to any school of thought and that was comforting. Three Dark Crowns did that for me because I can just feel it would be a book that we would have obsessed over together (she would be Team Arsinoe, I have embraced being Team Katharine) and it makes me feel connected to her again.

Anyway, read. Go to your library, get tons of books, and read! But especially read Anna Dressed in Blood and Girl of Nightmares.

 

Anna Dressed in Blood

What happens when the one boy who can kill ghosts falls in love with one?

Anna Dressed in Blood by Kendare Blake is the kind of book that attaches to you. My blog name has never been more appropriate because this book, Cas and Anna, are taking up residence to haunt my bookish heart.

Shortly after finishing I went down a hashtag rabbit hole and learned they’re making a movie. For the first time in ages I was actually picturing a specific actor while reading.  Tanner Buchanan was the Cas in my head, which ended up being kind of hilarious because every time I would get really anxious I’d say “Charlie Gardner!” like Maya from Girl Meets World – which was often. I am actually really happy with the casting of Cameron Monaghan (I love a talented ginger) and Maddie Hasson (the Finder was so underrated). Either way, I hope the movie is scary as shit and that I cry a little because I’m scared. Is that too high of an expectation for the adaptation of the book that scared me so bad I screamed out loud? That I thought my growling stomach was my attic door opening and I was about to be killed by a ghost? Probably.

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Anna Dressed in Blood is about Cas Lowood, who has inherited a magically imbued athame and a talent for killing spirits. Cas goes after the dead who kill – he leaves benign spirits alone. The thing is, his dad was killed by a spirit, and so Cas picks up the legacy with the hope of one day avenging his father. Cas and his mom move around for his “work” and when they head to Thunder Bay, Ontario so Cas can take out Anna everything feels different. First, Cas makes friends. Second, Cas makes enemies. Third, Cas meets Anna and knows she is unlike any spirit he’s ever faced. Just when he thinks he can save the day…his past comes back to bite him.

It took a bit for Cas to grow on me, mostly because he appeared to be kind of a weenie to his mom. However, the more you learn about them both and understand their dynamic, the more obvious it becomes that they both do this to protect themselves. Cas has to do this, even when they’d rather he didn’t. Cas loves his mom, but it hurts him to show it because it might seem like he doesn’t love her enough to stop.

The tension-building in this book is fantastic. When the start of the third act comes, wooo. Things are happening really quickly and you only have enough information to have suspicions but not enough to understand what that suspicion means and then when the scary things comes you don’t even know what the scary thing IS you just know you’re really effing scared. Blake is masterful at only giving you as much information as you need to keep you reading, so you never have a moment of calm knowing. You are always facing the unknown.

I love that she doesn’t over-explain the mythology – I have a feeling that is one of her trademarks – she assumes her readers are smart enough to make the logical leaps about what things mean. I know enough to understand why the plot proceeds the way that it does and to know when things are not going the way they planned. Exposition is used sparingly – it’s all action.  She is also really talented at getting me to feel super righteous anger at jerkfaces. Take that, Will.

At this point, I have basically become smitten with Kendare Blake. I had checked Anna out of the library and less than 24 hours after reading it I had purchased a copy (hardcovers even!) of it and Girl of Nightmares, and put Antigoddess on hold at the library. I’m sunk, y’all.

Review – Ink and Bone

A haunting is a two way street. A review of Ink and Bone by Lisa Unger. (3/5)

Ink and Bone by Lisa Unger was released June 7, 2016 – I finished it October 12, 2016.

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Ink and Bone is part detective story, part supernatural thriller, all heartbreak.

Finley Montgomery is some kind of psychic, a Dreamer or Listener depending on who you ask, and she’s come back to the Hollows, NY to learn from her grandmother. Finley was born with her gifts, Eloise got them after a car accident that killed one of her children and her husband. Eloise collaborates with a private detective, Cooper Jones, to solve cases as well as comfort the living left behind. But the Hollows gets what it wants, and it’s reaching out for Finley. Cooper Jones gets a case where all psychic roads point to Finley – and she begins to embrace and explore her gift in order to rescue a kidnapped child from a family of monsters.

As someone who is still moving through grief over the loss of a friend, I found this book oddly comforting. In the world of Ink and Bone, a haunting is a two way street – sometimes the spirit chooses, but sometimes the living haunt the dead and don’t let them go. The sense of peace and awareness of something beyond was also positive without being preachy, without ascribing to any religious belief, and managed to ring true. There are spirits who are recently lost, as well as ones who’ve been haunting Finley’s family for a long time. She can be led astray, or led to the truth. Finley needs a little leading in this book.

This is really a book about exploring the connections we have with one another, and that some of those connections can’t be rationally explained. A lot of Carl Jung is pulled in and the concept that psychic abilities are just a part of the human brain and psyche that we don’t yet understand. Finley and Eloise explain abilities like a spectrum – everyone has a little bit of something, all they have to do is explore it and honor it.

I liked the relationships between Finley and her family members – they were complicated, sometimes negative, but ultimately loving. People don’t always understand each other or get along, and that’s especially frustrating when they’re related. Some of the descriptions or attributes of characters start out very shallow or stereotypical, but Unger always goes deeper. Even the mistress is more than meets the eye, when so much of the initial description is meant to make her seem like nothing. What we learn about some of the side characters almost says more about the narrating character than it does about the people they’re describing. Everyone has something you should recoil from, but they all have something redemptive – hope is a thread that pulls this novel together.

It was a quick, emotional read that I enjoyed getting lost in. It was a good book to cozy up with on a really rainy fall day. It pulls you in to a very vivid world. I give Ink and Bone a 3/5 for giving me a sense of peace, and an intriguing mystery.

Review – Strange Times: The Ghost in the Girl

Get reading, pals. The Strange Times crew is battling ghosts. (4/5)

Strange Times: the Ghost in the Girl by Tom DeLonge and Geoff Herbach was released October 4, 2016 – it’s the prologue to the Strange Times graphic novel, also by DeLonge. I finished it on October 7, 2016 while eating nachos. This was inspired by the tacos in the book, but I didn’t have the stuff to make tacos.

Despite the swearing, this is definitely a mid-level reader book – middle school or early high school. As long as the parents of the reader are chill, and acknowledge that their kids totally talk like this when they aren’t around. If you weren’t swearing in secret in 8th grade you’re a liar.

I should say that I know Geoff personally – he was one of my professors in grad school. I have not been asked to and I am not receiving anything for reviewing this book. I probably would have read it without knowing Geoff because of the nostalgia of my middle school crush on Tom DeLonge, and that he creates some pretty cool stuff. Geoff is an awesome person and a great writer, and if you ever get the chance to hear him read I recommend it. It was hard not to hear some of the passages in his public reading voice.But I digress.

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The Strange Times crew are five teenage boys who get occasional help from an aging hippie named Cortez. Our narrator is Charlie Wilkins. He and the crew – smart guy Wiz, new kid Riley, and skaters Mouse and Mattheson, were thrown together for a science project, discovered the truth about ghosts, shreds, and shadows, and stuck together to take them down. The book follows their initial gathering in school – Charlie’s struggling because his Air Force father has disappeared and they can’t tell anyone, Wiz is being threatened with military school if he doesn’t get “normal friends,” Riley is the new kid in town living with grandparents who don’t love him, and Mouse and Mattheson have the first encounter with the Ghost Girl herself, Paula. It’s actually really hard to provide a summary of this book – but it’s the adventures of the Crew and their first battle with evil ghost Yankee Jim Robinson.

If you want to really enjoy this book, make sure you’re not too caught up in being an adult. Because if you aren’t in the state of mind to laugh at moose farts, purple flames coming out of buttholes, or pants being burned off by a Pinto, then this is the wrong book for you. I really love when there’s supernaturally-induced farting and indigestion because it adds hysteria to the scare – it reminded me of Dreamcatcher.

I already want more of the Strange Times crew – which is good because the graphic novel takes place after the book, but I want to know when I’ll get even more adventures. What happened to Charlie’s dad? What happened to Gramps in Vietnam? Do they use ghosts to punish Wiz’s dad for being a douche? Will they ever defeat Yankee Jim? I also love the supernatural mythology – how ghosts and souls work, what can happen, how they can manifest, was all fleshed out well but didn’t tell everything.

It’s no secret that keeping teenage boys engaged in literature and reading is an uphill battle – this is definitely a work that would keep a young male reader entertained and interested. He’d recognize these boys in himself, and that just doesn’t happen enough. I loved these characters because I knew them too – especially Mouse and Mattheson. Those were my friends, things we would have said, and probably the way we would have responded to ghosts being real and friends being in danger. My friends would have also absolutely tried to build a papier-mache asscano.

I also really loved the message of self-love that was sprinkled throughout. Charlie needed a dose of confidence and learning to love himself – and he learned it from Mouse and Mattheson and Wiz. While there’s too much fat-shaming in general in the book, when Riley has his revelation about himself and his body it was a pretty beautiful moment. We put a lot of pressure on boys and girls these days to look a certain way, and the recognition that your body is beautiful because it is capable and you are living is so needed.

Teenage me would’ve given this a 5/5 all the way – cute vulnerable boys, ghosts, adventures, so much swearing, hilarious fart scenes. Adult me is going with 4/5 – I wish it had been longer because some of it felt rushed or unexplained, and too!many!exclamation!points! Which feels kind of hypocritical because people really talk like that, but it kept snagging my eyes while reading.

I recommend this book for a quick, funny read, or for the young person in your life who needs an adventure.